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匿名使用者 發問時間: 社會與文化語言 · 1 0 年前

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Despite the doomsayers when times arc bad (and the doomsayer when times are good), now that I’ve lived through several up/d cycles, I’m certain the music business is a long-term major industry. will go through changes—as I’m sure you know, the Internet shaken things up to a fare-there-well—but the bottom line is that records (whether sold as CDs or a series of squeaks over some wire or satellite) are one of the cheapest forms of permanent entertainment you can buy. Music is one of the few things that enhances other activities (as opposed to a motion picture, video game, or a book, for example pie, which require your total concentration), and the power of music to vividly conjure feelings is staggering. (I still can’t listen to Johnny Mathis’s Greatest Hits without thinking of slow [and close] dancing ii. a teenager. Am I dating myself)

What’s Your Clout?

And now, back to earth.

To discuss the range of real numbers, we have to know how strong your our bargaining power is. Broadly, I’ll divide it into three categories

New Artist. This is someone who has never before had a record de4 nr someone who has been signed but never sold over 250,000 or so albums per release. It can also mean an artist who was once successful but lost his or her following and is having difficulty finding a record deal (or, as one of my clients lovingly put it, someone who has “crashed and burned”).

Midlevel Artist or New Artist with a Bidding War. Either (1)

an artist whose last album sold in the 500,000 to 1,000,000 range; or (2) a new artist being chased by a lot of labels. When a number of companies are chasing an unsigned artist, it’s not uncommon for the deal to look like a midlevel deal, and on occasion even higher. I’m aware of one situation where an unsigned artist was offered over S1 ,000,000 for two albums. (Just so you don’t get too jealous, that artist’s records have only had mediocre success.)

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  • 1 0 年前
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    儘管doomsayers 當時期弧壞(和doomsayer 當時間是好的), 即然I&rsquo;ve 居住完成幾個up/d 週期, I&rsquo;m 確定音樂界是一座長期大型企業將審閱changes&mdash;as I&rsquo;m 您肯定認識, 網際網路被震動的事由車費那裡well&mdash;but 決定底線是紀錄(是否銷售作為CDs 或一系列的吱吱聲在一些導線或衛星) 是您能買永久娛樂的當中一個的最便宜的形式。音樂是少數件事的當中一個提高其它活動(與電影、電動遊戲, 或書, 例如餅相對, 要求您的總集中), 並且音樂的力量生動地召喚感覺搖擺。(I can&rsquo;t 仍然傾聽約翰尼・Mathis&rsquo;s 最巨大的命中沒有認為緩慢的[ 和關閉] 跳舞ii. 少年。我是約會) What&rsquo;s 您的影響? 並且現在, 回到地球。談論實數的範圍, 我們必須知道多麼強您我們的討價還價的能力是。寬廣地, I&rsquo;ll 劃分它成三個類別新藝術家。這是某人有如今有紀錄de4 nr 某人簽了字但未被賣250,000 餘冊頁每發行。它可能並且意味曾經是成功的但丟失他們隨後而來的藝術家並且有困難發現記錄成交(或, 如同我的客戶的當中一個愛戀投入了它, 某人有&ldquo;crashed 和burned&rdquo;) 。中等水平的藝術家或新藝術家以一場投標競爭。或者(1) 前冊頁賣在500,000 到1,000,000 範圍的藝術家; 或(2) 一位新藝術家被很多標籤被追逐。當一定數量的公司追逐一位未簽名的藝術家, it&rsquo;s 不不凡使成交看像一個中等水平的成交, 和偶爾更高。I&rsquo;m 一位未簽名的藝術家被提供在S1 的明白一個情況, 000, 000 為二冊頁。(您don&rsquo;t 如此得到太嫉妒, 那紀錄只有平庸的成功。) 的artist&rsquo;s

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