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Bodoni

Bodoni is the name given to a series of serif typefaces first designed by Giambattista Bodoni (1740–1813) in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased stroke contrast and a more vertical, slightly condensed, upper case, but taking them to a more extreme conclusion. Bodoni's typeface has a narrower underlying structure with flat, unbracketed serifs. The face has extreme contrast between thick and thin strokes, and an overall geometric construction.

Bodoni admired the work of John Baskerville and studied in detail the designs of French type founders Pierre Simon Fournier and Firmin Didot. Although he drew inspiration from the work of these designers,[citation needed] above all from Didot, no doubt Bodoni found his own style for his typefaces, which deservedly gained worldwide acceptance among printers.

Many digital versions of Bodoni suffer from a particular kind of legibility degradation known as "dazzle" caused by the alternating thick and thin strokes, particularly from the thin strokes being very thin at small point sizes. In Typographic Design: Form & Communication, the authors describe Bodoni’s uppercase R as a "dazzling contrast and vigorous proportions of modern-style typography. The thick-and-thin scotch rules echo and complement the thick-and-thin stroke weights."

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Revivals and variants

There have been many revivals of the Bodoni typeface; ATF Bodoni and Bauer Bodoni are two of the more successful. ATF Bodoni was drawn by Morris Fuller Benton in 1907, and released by American Type Founders. The Bauer version was drawn by Henrich Jost in 1926.

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The Bauer version emphasizes the extreme contrast between hairline and main stroke. ATF captured the flavor of Bodoni’s original while emphasizing legibility rather than trying to push against the limits of printing technology.

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Other revivals include Bodoni Antiqua, Bodoni Old Face, ITC Bodoni Seventy Two, ITC Bodoni Six, ITC Bodoni Twelve, Bodoni MT, LTC Bodoni 175, WTC Our Bodoni, Bodoni EF, Bodoni Classico, TS Bodoni, and Filosofia by Zuzana Licko.

3 個解答

評分
  • 1 0 年前
    最佳解答

    薄東尼體是截線印刷體系列的一個名稱, 由Giambattista Bodoni (1740-1813) 於1798 年首先設計出。字體被分類為didone 現代。薄東尼體仿照了John Baskerville的想法, 可以在Baskerville的印刷類型發現, 是一種加深的衝程對比和更加垂直, 輕微地被凝聚, 大寫字母, 也使他們得到一個更加極端的結論。薄東尼體的字體有一個更加狹窄的襯底結構有著平坦非托架式的截線。厚薄之間有有極端的, 和整體幾何學的結構。Bodoni 敬佩John Baskerville的作品而且詳細學習了法國風的創建者Pierre Simon Fournier 和Firmin Didot 。雖然他的靈感來自於這些設計師的作品, [引證所需] 尤其是Didot, 沒有疑慮地Bodoni 闖出了屬於他自己樣式的字體, 並獲得全世界印刷業者的支持。許多薄東尼體的數位式版本有一种特殊的不易辨識稱為"目炫" 由厚薄交互衝程所導致, 尤其是薄的衝程在小點尺寸是非常薄弱。在”印刷設計:形式和溝通”一書的作者描述薄東尼體的大寫R為"目炫對比和高比例的現代印刷術。厚薄的刻痕規則回應及運用了厚薄的筆劃強度。"

    •2008-03-26 19:52:33 補充

    復興和變革

    薄東尼體的字體漸漸復興起來; ATF薄東尼體和Bauer薄東尼體 是二個成功的例子。1907 年ATF薄東尼體被Morris Fuller Benton拿出來運用, 由美國風創建者發行。1926 年Henrich Jost運用了Bauer薄東尼體。

    •2008-03-26 19:52:50 補充

    Bauer 版本強調細線條和主要衝程之間的強烈對比。ATF 抓住了薄東尼體 的原本味道, 強調易讀性而不是挑戰印刷技術的限制。

    •2008-03-26 19:52:56 補充

    這一段落文章都是專有名詞, 我就不翻譯以保有的味道

    其它的復興包括odoni Antiqua, Bodoni Old Face, ITC Bodoni Seventy Two, ITC Bodoni Six, ITC Bodoni Twelve, Bodoni MT, LTC Bodoni 175, WTC Our Bodoni, Bodoni EF, Bodoni Classico, TS Bodoni, 以及Zuzana Licko的 Filosofia。

    參考資料: 靠自己一句一字翻的
  • 1 0 年前

    候選編號 001 !你是好人!我太晚幫你選成最佳解答了

    你是好人好人好人!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

    真是太對不起你了!!!!!

  • 1 0 年前

    無最佳解答

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