The story of the Holy Family's flight was one of the most popular apocryphal legends which survived the prohibitive decrees of the Council of Trent and often appeared in painting from the end of the sixteenth century. Caravaggio's idyllic painting is an individualistic representation of this. The artist ingeniously uses the figure of an angel playing the violin with his back to the viewer to divide the composition into two parts. On the right, before an autumnal river-front scene, we can see the sleeping Mary with a dozing infant in her left; on the left, a seated Joseph holding the musical score for the angel. The natural surroundings reminds the viewer of the Giorgionesque landscapes of the Cinquecento masters of Northern Italian painting, and it is fully imbued with a degree of nostalgia. Contrasting the unlikelihood of the event is the realistic effect of depiction, the accuracy of details, the trees, the leaves and stones, whereby the total impression becomes astonishingly authentic.
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聖潔家庭的飛行的故事是生存Trent委员会禁止旨令和經常发表於繪從第十六個世紀的结尾的其中一個最普遍的杜譔的傳奇。 Caravaggio的田園詩繪畫是此的一個個人主義的表示法。 藝術家巧妙使用弹與他的天使的圖小提琴回到觀察者劃分構成成二部分。在右边，在一個秋季河邊區場面之前，我們能看到有一個打盹的嬰兒的睡覺的瑪麗她的左邊的; 在左边，拿着天使的安裝的約瑟夫乐谱。自然周圍提醒觀察者北意大利繪畫Cinquecento大師的Giorgionesque風景，并且它充分地灌輸與程度鄉情。對比事件的不可能是描述、準確性的細節，樹、葉子和石頭的現實作用，藉以总印象变得令人驚訝地道。<<<<<翻譯>>>>>>>>>>參考資料： 崇翻譯用的@@