匿名使用者
匿名使用者 發問時間: 社會與文化語言 · 9 年前

英文短文 翻譯

Drama has never lost its power to embody the central concerns of an entire society. It regularly deals with large,common issues to a much greater extent than poetry(with the exception of public poetry delivered on important occasions)or fiction(with the exception of the historical and realistic novels).Drama regularly involves itself either with mythicalb situations,as in Classical Greece,with court and political themes during the Renaissance,with social attitudes and manners during the eighteenth century,or with more relistic,everyday life of the late nineteenth and twentieth centuries.In all these cases,we view personalities as they represent cultural types---in the Renaissance ,types of the honorable,loyal,cultured,or melancholy character; in the later centuries,characters typifying a socioeconomic or regional calss.

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可以不用逐字翻譯那麼精細,但是大意還是要翻出來哦:)

謝謝!!!!!!

3 個解答

評分
  • 9 年前
    最佳解答

    Drama has never lost its power to embody the central concerns of an entire society.

    戲劇從未失去對社會關切的化身地位

    It regularly deals with large,common issues to a much greater extent than poetry(with the exception of public poetry delivered on important occasions)or fiction(with the exception of the historical and realistic novels).

    它經常比詩歌或是小說更為豐富

    Drama regularly involves itself either with mythicalb situations,as in Classical Greece,with court and political themes during the Renaissance,with social attitudes and manners during the eighteenth century,or with more relistic,everyday life of the late nineteenth and twentieth centuries.

    戲劇常包含許多時代特色,像希臘神話,文藝復興時代,及近代特色

    In all these cases,we view personalities as they represent cultural types---in the Renaissance ,types of the honorable,loyal,cultured,or melancholy character; in the later centuries,characters typifying a socioeconomic or regional calss.

    在所有情況中,我們由它們所代表的文化性觀察角色性....

    文藝復興時代特色及近代特色等等

  • 9 年前

    戲劇永遠不會失去了其權力體現中央全社會的關注。它定期處理較大的程度上比詩歌 (除的公共詩歌在重要場合發表) 或 (除的歷史與現實的小說) 的小說大、 常見的問題。戲劇經常涉及本身也與我道德上的場合,如在古典希臘、 法院和文藝復興時期的政治主題、 社會態度和禮儀在十八世紀,期間或晚十九及二十世紀更切合實際的日常生活。在所有這些情況下,我們查看人物,因為他們代表文化類型---在文藝復興時期,類型的光榮、 忠誠、 培養,或憂鬱的性質 ;在以後的幾個世紀,字元 typifying 社會經濟或區域的調用。

  • 9 年前

    戲劇已經永遠失去它的力量,體現了中央對整個社會的關注。經常處理大,更大的程度比詩歌(在重要場合提供的公共詩歌除外)或虛構的歷史和現實的小說異常的常見問題。戲劇經常涉及本身mythicalb情況,在古希臘,與法院和文藝復興時期的政治主題,在18世紀的社會態度和禮儀,或與更relistic,十九世紀末和二十centuries.In所有這些案件的日常生活中,我們的人物,因為他們代表文化類型---在文藝復興時期,光榮,忠誠,培養,或憂鬱的性格類型;在以後的數百年,人物典型化的社會經濟或區域CALSS。

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