阿睿 發問時間: 社會與文化語言 · 6 年前

我需要英文高手幫我翻譯一下

我需要英文高手幫我翻譯以下的內文,不要用翻譯軟體翻譯:

Art, utility and the market

The supposed 19th century opposition between pure art and the

sordid world of commerce and industry is a cliché that animates much

talk about contemporary arts and cultural industries policy. This

opposition is much more ambiguous when examined in historical

detail. As cultural consumption began to extend from relatively small

circles to those new social groups involved in the mercantilist

expansion of economies and empires (Bayly, 2004), thick layers of

chintz hid the commercial basis of art markets; but its reality was a

fact of life for any aspiring artist, musician or writer.

2 個解答

評分
  • 6 年前
    最佳解答

    藝術相關文章英翻中

    Art, utility and the market

    The supposed 19th century opposition between pure art and the sordid world of commerce and industry is a cliché that animates much talk about contemporary arts and cultural industries policy. This opposition is much more ambiguous when examined in historical detail. As cultural consumption began to extend from relatively small circles to those new social groups involved in the mercantilist expansion of economies and empires (Bayly, 2004), thick layers of chintz hid the commercial basis of art markets; but its reality was a

    fact of life for any aspiring artist, musician or writer.

    藝術、實用性與市場

    19世紀純藝術及齷齪的工商業世界間的對立已是一個老掉牙的問題,這鮮活描述當代藝術和文化產業政策上的許多討論內容,在詳細研究歷史時,這種對立更顯得曖昧。當文化消費習慣開始從較小圈子擴及重商主義經濟和帝國層面(Bayly, 2004)的社會群體中,在厚畫布層(的畫作)中藏有藝術市場的基礎,就是在實際生活上仰慕尊崇藝術家、音樂界或作家。

  • 小咪
    Lv 6
    6 年前

    藝術、 實用和市場純藝術的所謂的 19 世紀對立, 骯髒的世界, 商業和工業是動畫太多的陳詞濫調談論當代藝術和文化產業政策。這反對派是在歷史審查時更加模糊詳細資訊. 隨著文化消費開始延長從相對較小對這些新的社會群體參與重商主義的圈子擴大經濟和帝國 (巴以利, 2004年), 厚厚的層印花棉布藏商業性的藝術市場; 但其事實是對於任何有抱負的演出者, 音樂家或作家的事實。

    參考資料: for you reference
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